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Syllabus

1. Modern American Literature: An Appreciation.
2.  Southern Social History in William Faulkner’s Fiction.
3. Ernest Hemingway’s Textuality and Social Issues.
4. Reality in Wallace Stevens. 
5. Afro-American Appeals: Langston Hughes.
6. The 1950s Consciousness: Flannery O'Connor.
7. Jewishness in the 1950s: Bernard Malamud.
8. The Beat Generation: An Approach.
9. Confessionalism: Anne Sexton.
10.  New Social American Drama: Edward Albee.
11.Postmodernism in America: Donald Barthelme.
12. Recent American Poetry: Charles Bernstein.

Subjects of discussion to be presented in class:
    - Supreme Fiction, Reality and Imagination in Wallace Stevens.
    - Some Themes in Stevens's Poetry.
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All these bibliographical references can fnd at the Universidad de La Laguna Central 
   Library, Guajara Campus:
- Beehler, Michael. T.S. Eliot, Wallace Stevens and the Discourse of Difference. Baton Rouge:
     Lousiana State UP, 1987.
- DuBois, Andrew, and Frank Lentricchia. "Wallace Stevens." The Cambridge History of American
     Literature. Vol. 5. Ed. Sacvan Bercovitch. Cambridge: Cambridge UP, 2003. 60-96.
- Gelpi, Albert ed. Wallace Stevens: The Poetics of Modernism. Cambridge: Cambridge UP, 1985.
- Kotin, Joshua. "Wallace Stevens's Point of View." PMLA 130.1 (January 2015): 54-68.
- Mills, Ralph J., Jr. "Wallace Stevens: The Image of the Rock." Essays on Poetry. Normal:
     Dalkey Archive, 2003. 40-54.
- Vendler, Helen. "Wallace Stevens." The Columbia History of American Poetry. Ed. Jay Parini.
     New York: Columbia UP, 1993. 370-394.
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Please, visit these sites for further information on Ernest Hemingway: 
http://www.hemingwaysociety.org/ 
http://www.ernesthemingwaycollection.com/
 

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